Ellie Macieira- Fielding

Black-and-white cutout photo of Ellie, arms folded, glancing to one side with a slight smile.

Hi there! My name is Ellie and I will be your guide today as I walk you through the many hats I wear.

About me

From a young age, I always knew I wanted to be in media. Perhaps it was my love of romcoms that slowly convinced me that working for a magazine was the ‘it girl’ job, or perhaps it was my love of reading, writing and creating. Either way, it is something I have pursued relentlessly in my adult life, leading me to be somewhat of a creative jack of all trades.

You will find out a lot about my professional experience and skills as you scroll through this portfolio, so rather than ‘selling’ myself here, I thought I’d tell you a few quirky facts about what makes me, me.

Ellie as a toddler, mid-stride on a garden lawn, hair in a topknot, wearing an enormous Calvin Klein t-shirt.

I love romcoms so much that I made an entire database with every romcom ever created and I will not stop until I watch every one and eventually write a book or thesis on it.

Journalism

The first and biggest hat I wear is that of a journalist. It is the career I pursued long before starting my own publication, and the one that taught me everything underneath all the others: how to find a story, how to stand it up, and how to tell it so people listen. Keep scrolling for where it started, the publication it grew into, and the work I am proudest of.

Where it started

Journalism is the foundation of who I am. To my core, I am a writer. At the University of Kent I joined InQuire, the student paper, and quickly climbed the ranks to Feature Editor. Features and investigations are what I excel at: I am naturally curious, and I do not know when to quit, which makes me very good at finding the information that other people cannot.

My path into journalism was shaped by a pivotal moment, whilst helping my best friend after a sexual assault on campus. Seeing how the system operated against her and other survivors, I was determined to use my platform to tell the stories of the women around me. It is difficult to separate my fall into journalism from my fall into feminism.

This journey led me to win the SPA award for Best Feature in 2019, for an investigation into the emotional plight of student sugar babies, and KIC’s Best Feature two years running. I also became Creative Director of the first ever magazine on campus, where I learned I loved building publications just as much as writing for them.

Ellie in a white dress accepting a Student Publication Association award and certificate.

The New Feminist

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The New Feminist website homepage shown on a laptop.

Frustrated with how the mainstream media reported on women’s stories, I started my own publication. It is now the leading independent feminist publication in the UK, where I have curated, edited and written over 100 articles and mentored volunteer writers into paid roles across the industry.

Read The New Feminist

Freelance, bylines & awards

Bylines include gal-dem, The New Feminist, InQuire, Camden New Journal, Surrey Live and more, and I have been quoted in Marie Claire and Stylist.

Styles I write in:

  • reportage
  • events
  • news & politics
  • lifestyle
  • features
  • opinion
  • culture
  • reviews
  • Student Publication Association AwardBest Feature, 2019
  • SPARK AwardHighly Commended, Best Journalist
  • BBC Today AwardsHighly Commended Publication
  • KIC AwardBest Feature, 2019 & 2020

Content Creation

Strategy, socials, video and brand: the full content stack, in-house.

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The receipts

Straight from the dashboards.

Instagram insights screen showing 7,961,853 views in 30 days, 97.7% of them from non-followers. Instagram professional dashboard showing 9.7 million views and a high-performing post reaching 138,556 accounts. Facebook insights chart showing 5.4 million views in 28 days.

Videography

Shot, cut and captioned in-house for The New Feminist.

Branding

Drag through the shelf; click a card for the story.

Photography

Self-taught, now published: reportage shot for The New Feminist’s news desk, under my own byline.

A woman in a headwrap and brown coat carries a red 'Together we can end male violence against women' placard through the march.
Drummers with red, gold and green sashes play djembe drums as the march passes along Regent Street.
A woman in a baseball cap holds a hand-painted cardboard sign reading 'Fascists don't speak for me. #NotInMyName'.
A smiling protester holds a sign reading 'A woman needs a racist like a fish needs a bicycle'.
A young woman shouts while raising a cardboard sign reading 'Woman Life Freedom, from Iran and Kurdistan' above the crowd.
A protester holds a large hand-lettered sign reading 'Hell is empty and all the devils are here' with cut-out faces along the bottom.
A young woman with eyeliner and a studded leather jacket carries a megaphone past a pink Abortion Rights banner.
A speaker in a bright red suit addresses the march through a red megaphone.
A Million Women Rise placard held high in Trafalgar Square, the National Gallery behind.

Direction

Concepting, casting and directing studio shoots, including both covers of The New Feminist’s It Girls series, from first mood board to final spread.

The New Feminist cover, It Girls series issue one: the five members of Girl Group photographed from above, captioned 'Liverpool's feminist party girls'.
Issue One · Girl Group, Liverpool’s feminist party girls
The New Feminist cover, It Girls series issue two: Dr Louisa Toxværd Munch in a tweed jacket and plaited hair against a sage green backdrop.
Issue Two · Dr Louisa Toxværd Munch
Editorial page for Katya of Girl Group: marker-pen name, hand-drawn stars and three studio poses. Editorial page for Maria of Girl Group, wearing a 'Tall, brunette and evil' t-shirt, framed by a hand-drawn star. Editorial page for Mia of Girl Group in a striped blue halterneck, surrounded by inky stars. Editorial portrait of Dr Louisa Toxværd Munch with the pull quote 'You can't have a more equal world without recognising that we have a patriarchal system in place.' Dr Louisa Toxværd Munch on a red leather sofa with a pull quote about nostalgia and whose past it is.
Ellie crouched in the studio directing a shoot, Sony camera in hand, colourful backdrop rolls behind her.
Behind the scenes: three members of Girl Group reviewing shots on a laptop in the studio.
Behind the scenes: Louisa in a striped vintage armchair between takes, next to a silver light reflector.

Public Speaking

Panels, talks and podcasts are all part of what I offer. I speak about feminism, independent media and building a publication from scratch, and my speciality is the subject I care most about: how to report ethically on women and their stories.

  • Cambridge UniversityPanellist, International Women’s Day
  • IWPGPanellist, “Gender and Peace 2020”
  • Youth Count PodcastGuest

Consultancy

I also work as a professional creative consultant, helping organisations find their voice and use it.

I consult on editorial strategy and commissioning, brand identity and tone of voice, social-first content and audience growth, and building publications and content teams from scratch. I also train teams on my speciality: how to report ethically on women and their stories. If any of the hats you have seen here would fit your project, I would love to hear from you.

Get in touch

Portrait of Ellie resting her chin on her hands at a marble table, wearing a cream jumper and gold chain.

Say hello

That’s the tour. If you’d like to work together, or just want to talk magazines, I answer email.